What Tops Look Nice With Knee Length Skirts

Paul, 1961 ZZ



Jorge Lopez Ruiz, bass
Pichi Mazzei: drums
Ruben Lopez Furst: Roberto Fernandez
piano, trumpet
Leandro Barbieri: tenor sax

Buenos Aires, 1961

38 Weeks Pregnant And Anti Inflammatories

INTERVIEWS> PIAZZOLLA PEE RECORDS YOUR GRANDFATHER
Hello, Nonino

After five years of therapy and twenty as a musician in different bands, finally felt ready to play the musical heritage of his surname. Next month, Daniel "Pipi" Piazzolla Escalandrum group presented with his new album plays Piazzolla Piazzolla. Before weight Radar chatted with the name, the unusual way in which came to the percussion, the many musical paths that travels the same time and the many friends of his grandfather who pursue him.


By Mariano Del Mazo

"Yes, it's a pressure. And a broken egg. Since kindergarten I've been talking about my grandfather. Now at least there is an artistic excuse. "Coghlan in his home, surrounded by women and children, Daniel" Pipi "Piazzolla speaks with a certain resignation from the stigma of the name, so powerful that neither manages to neutralize his childish nickname. The "case Pipi" can be analyzed from the music or the psychoanalytic couch. The fact is that dodged the tango as he could, he devoted himself to the battery and only after five albums with the jazz band Escalandrum and nearly 20 years of experience in different groups (an impressive range that extends from the Tasty opossums to Lito Vitale Quinteto, through ad hoc bands such as that incorporated two weeks ago to entertain the wedding of Karina Jelinek ...!), may be interviewed by himself what it is: a Piazzolla.

In the middle, two significant aspects: therapy for five years was three times a week and she was discharged in 2008 and ran Escalandrum your script to make an album entirely dedicated to the repertoire of Astor, whichever title granted a special entity to drummer: Piazzolla plays Piazzolla. The album will be presented June 15 at the Grand Rex with the Cuban saxophonist Paquito D'Rivera invited in seven subjects and one Susana Rinaldi. Pipi said the press release: "The desire to interpret the works of my grandfather was present from the beginning of my career. Now I feel really fit and the confidence to face this challenge. I decided to do with my group Escalandrum, a 12-year career with the same lineup, records, travel, and many scenarios and shared experiences. One of the keys to my decision was the interaction and knowledge, both human and musically, that we as a group. The repertoire is chosen carefully to make music sound to rise to the occasion and Escalandrum not lose your sound. The idea was to choose some classics and other works not so well known but equally beautiful. This is a tribute to Astor Piazzolla, who is a permanent inspiration for all musicians in the world. It is a tribute that we do with love and respect. " He says now, with his daughter Mora nailed down at the computer and little Lorenzo flowing through the room with a hammer, reckless: "It started when an essay touched a theme of my grandfather, not well known, 'Slang'. We finished, we looked and said, 'Wow, how it sounded. " And most importantly, without betraying the style and spirit of the band. There is an improvised party, party outside. The version has a lot of layers ... We keep our sound and at the same time respecting the issue as it was conceived. The complex was to move what the violin and bandoneon three saxophones. Tango is very delicate melody played on saxophone tango bandoneon sounds rather fat. It's horrible. Just choose topics that do not have those things attacked hard, bandoneon. 'Slang' was the seed of this album, it was early 2008. "

The term "Escalandrum" is a neologism that plays on a variety of Astor Piazzolla Creole shark fishing in Punta liked the East (escalandrún) and the word drum (drum). The sextet is completed by Nicholas Guerschberg (drums), Mariano Sivori (bass), Damian Fogiel (tenor sax), Martin Pantyraid (bass clarinet and baritone sax) and Gustavo Musso (alto and soprano). Guerschberg also leads the quintet La Camorra, as the name implies, is piazzollian stamp. However, the director of Escalandrum is the drummer. He says an oblique way: "I am directing the music where it goes."

must have been more of a conflict with all that represents the name, weight ...

"It's incredible, but no. Yet they I want to charge more, but I refuse. In a time not only wanted to give notes, but it broke. I could not hold it. Unfortunately, the journalists want to interview me. And the band uses: suddenly you have to go to a radio at two o'clock y. .. I have to go yo! The last time in Colombia we arrived at six o'clock, eight o'clock I got into a taxi and was taking notes until six o'clock. Crazy, but ... and the shows are promoted and someone has to do. Returning: what happens between us is magical. Zero conflict. Is that beyond the name, with which surely get more work, I burned the tabs and the boys also studied. Eight years ago we tried together. I always tried to keep things clear: I wanted to be at the family level. My grandfather always told me: "study, study." My old mortgaged the house so I left to study in the United States for one year.

Astor died in 1992, 1972 to Pipi is among the teachings of his father Daniel, also a musician, he played in the 70s in the Electronic Piazzolla Octet, and the fame of his grandfather, was consuming its infancy. "The last three years are not counted Astor, had hemiplegia, could not speak. But even my 17 build a nice link. "

What jumped into therapy?

-Uff ... So ... The obsessive pursuit of perfection. It happens when I make an espresso as now or Guerschberg Nico brings a topic that is a bossa nova and I spent the whole night trying to Argentine jazz again ... My grandfather was also looking for perfection, but not because his family had someone perfect. He was well. In short, it is not easy ...

What is not is easy?

"Nothing. It is brave: I'm playing drums and there are ten guys who watch what the fuck I do. I know it was always like, live with it. It is a presence, ongoing observation. After you get off and you face: "I was a friend of your grandfather." There is always a friend of my grandfather! (Laughs). I play 250 times a year, you imagine ... You're

Astor's grandson, but Daniel is the father of Pipi ... Clearly outweigh your old musical.

"Yes, he says. What happens is that my dad will not be more devoted to music. But I forget that I'm in this because of him ... The encouraged me, gave me twine. A capo. And my grandfather too, rang the bell and shouted at my father: "Take me down to Little Daniel." And he took me to concerts, rehearsals, to the chapel ... I for example in the Columbus, in the famous 1983 concert. The relationship between my grandfather and my father was very deep. In addition to having played with him, my dad was very supportive. Astor was removed several times, had many periods of solitude ... He was able to pay my dad a ticket to Milan because they wanted to be alone. Ass and were very short.
WELL THAT YOU WILL SEE AND PLANK

Drunk Grandma gave him an organ when he was 5. With this organ, Pipi Hitachi pulled the jingle, that of "how good you look" Adriana Brodsky immortalized. "I started to get all the TV ads. I asked my old piano and I started studying with a teacher. Read a score and after a while it had it all in the head. Five years I studied piano.

How did you get the battery?

"For the fans of River ... We lived on Libertador, near the stadium. I am a fan, for I always local. Well, the thing is that the first time I went to the court saw those drums, those dishes ... Did you see when entering the drunks in the board? These drums, that sound, I took percussion. I was always interested and moved me so popular. One day I went to see a Rod Stewart concert and the drum solo I realized they were all elements of the swollen River. I jumped the tab. Look, I had been playing next to Lefty Roizner at concerts of my grandfather ... But I struck out there. I said, "Enough piano, I want that." I started studying with a very rough, Rolando "Bear" Picardi. Was three times a week. I painted for rock drummer, I liked Pink Floyd, The Police ... But the bear gave me to hear Four & More, the live album Miles Davis, 1964. And I broke his head. Tony Williams was taken that day. There I got into jazz. Was collecting the loot to buy the battery, but reached no further. In the end I gave it my grandfather.

Escalandrum emerged at a historical moment in which there was a decisive renewal in the language of jazz made in Argentina. In fact, it began to talk about "new jazz argentino", there were some clubs that hosted the move, changed the criterion standard, began to delve into a repertoire that watched the Argentine rock, folk and tango, and imposed new compositions. Mixed and sometimes scrambled names like Jodos Ernesto, Mariano Otero, Adrian Iaies, Juan Cruz de Urquiza, Sergio Verdinelli, Paula Schocron and many more native scene changed dramatically. The years passed, the scene was consolidated and, as usual, started the divisions, challenges, and internal ... Many musicians even now whistle at the mention of the label "new jazz argentino": Inflation seems to them that means nothing.

"For you there is a" new Argentine jazz?

"Of course. A tourist who comes to Buenos Aires do not buy an album by Miles Davis ... because it is absurd. Buy an album of ours and we're going to see us or other groups here. So. Here is composed, is quoted as folk, rock ... I do not know, seems so obvious. I think eventually there are musicians who are embarrassed to be Argentine. A jazz composed of Argentina, who does not have the typical jazz groove of the United States, what is? Some areas they discuss ... They also think that Latin jazz is shit. Go on, sit down to play it. In Finally, there are guys who read many books, which are very intellectual ... I am interested in what they think, oh, Guillermo Klein, Richard Nant, Juan Cruz de Urquiza. Treading

40, Pipi Piazzolla is split between the River unpredictable as a jazz solo, family, students and Escalandrum recitals or what to paint. The show at the wedding of Jelinek is an example of the philosophy that guides him: play anywhere, but to play. "I also spin with Ute Lemper, and just recorded for Sony in France for a record of a mine supercomercial, a kind of French Natalia Oreiro. Sucks do not do anything, as long as making music. I try to convey to my students. However, in Escalandrum fuck no, we do what we want, the artistic guidance only. We even play in the Personal Fest! Nico showed up with a bunch of cans of speed, we rocked our usual repertoire, and people fell on his ass ... Once we close a heavy metal festival in Moron. We are not close, but the band manages its concept. I also am going parallel to the fore with the Pipi Piazzolla Trio, with Lucio Balduini Fogiel Damian on guitar and tenor sax. "

When bored, the man obsessed with perfection writes books like the one pulled the year Past: Battery contemporary. Techniques, styles and concepts.

After "Lunfardo" How to complete the album?

-vote ": each chose their fifteen my grandfather's favorite subjects. And it was a mix of topics not well known as "Let the devil" and classics such as "Adios, Nonino" and "Libertango." Many stayed outside. I would have liked to do "Fracanapa", "La Camorra I", "Decarísimo."

Do you think in plays Piazzolla Piazzolla II?

-No. In fact we are already beginning to compose our ninth album and will be with their own songs, maybe a little more urban. We'll see. Escalandrum is a jazz band. I hear Davis, Shorter, a Mehldau ... I hear Troilo. What my grandfather took it as an exception. Although it was so different. Astor Piazzolla

A if you listen ...

"Yes.

Still?

"Yes. In the car I always have two CDs of it.

What happens when you hear it?

- Truth? It gives me goosebumps

http://www.pagina12.com.ar/diario/suplementos/radar/9-7039-2011-05-16.html

Tumor From Neuroglia Or Nerve Tissue

The streaming Porteña


year
Photo 1973



Martin Müller (cnt) Norberto Gandini (cnt) SergioTamburri (tb)
Ubaldo Gonzalez Lanuza, Nelson Gonzalez (cl) Alfredo Espinoza (as, sop, cl) Ignacio Romero (p) Alfredo Carozzi, Ricardo
Scarremberg (bj) Saul Lotemberg (tu) Norberto Mendez (d)

Buenos Aires, January 10 & 16.1968

Patrol wagon blues




Norberto Gandini (cnt) Sergio Tamburri (tb) Ernesto Carrizo (cl)
Alfredo Espinoza ( as, sop) Horacio Schere (sop) IgnacioRomero (p) Luis Rosarno, Roberto Garzoni (bj) CarlosBalmaceda (tu) NorbertoMendez (d)

Buenos Aires, November
1.3 & 7.1966

Billy goat stomp

Green Green Erolutions English Sub Uncensored

PIANO IN GOOD HANDS Good Trad

What Is A Good Conditioning Mascara

CRAFT FAIR, 2011 ILLESCAS

first craft fair in which I participate. Thanks to all who were interested and who came to visit my stand.

Cryptic Placenames Suffolk Quiz

Thanks Norma

I received a package from Australia! It is the gift of drawing Norma ( http://makeminemini.blogspot.com/ ) I was lucky enough to win some time ... She did not feel good and not able to send before, as compensation for commanded me to wait some more miniatures! Thanks Norma, I'm glad you feel better.

I keep a little absent around here, but as always, as soon as possible (and I feel like ...) I'll get a day.

.

Reference Letter For Beauty Therapists

On Saturday

How To Golf Ball A Derby Car

ESCAPE SAO PAULO TO SILENCE

A documentary by Diego Small

Synopsis

During the 70s, arrived in Paris a flamboyant jazz saxophonist proviniente of Chile. His name is Alfredo Espinoza. Immediately stands out among local musicians for his technique, swing and spectacular solos. It takes talent to play in major European circuits of traditional jazz and even to visit Africa. Make friends, fans and live a happy time music and nightlife.





Without a clear reason, Alfredo returns home to live with his mother. Soon he joined the Chilean jazz scene, but a long mental illness leaves him lost in a ridge of Valparaiso for more than ten years away from music and beautiful melodies that enchanted so many people from different countries.



Two friends living in Europe and tried to find help at this time dark and silent. Now, ten years later, they travel to Paris to meet with the myth musical round figure of Alfredo Espinoza in France.





From small busquilla to excellence, to see the world. The world to the glory and praise to the disappearance.

By Sergio Benavides T. / The Nation Sunday
death of myth. The myth of the resurrection. A couple of lines without major ambitions could summarize the story telegraphed Alfredo Espinoza, jazz musician with his saxophone drew a dedicated circuit to develop their art in a genre that is positioned for excellence and that nearly drove him to kiss madness, which went without drugs and without realizing it, with rules and love a devoted sister.

Like many, the story begins in the hills of Valparaiso curly precisely in "the mountains". One man

oldest of three siblings, who after the death of his father ocean, traveling in a caravan following the new love of his mother, a rider. Part of a childhood spent in Argentina where he had his first groups and more serious approaches to the eighth.

However, years before his father after losing his job as a sailor and used for import of what came to bring home hot marraquetas, gave the first instrument, a harmonica that will not stop playing chords imitating radio or ringing in your every day journey more adventurous.

was while living in San Isidro and his stepfather beat her with a whip to his horse across the Racecourse Palermo who entered early music ensembles.

A teacher told him that his instrument should be the heat, but I needed someone to play the clarinet (and will happen several times). He learned fast. Moved in a year what others take three in the weak instrument. And stretching his virtuosity that years later would lead to other scales.

enshrined in the Buenos Aires jazz band, traditional gender legendary group and almost a mirror of the music industry in the 20 and 30 gave birth to New Orleans. There he practiced a repertoire that included works by the likes of Duke Ellington, Fletcher Henderson, Chocolate Dandies, Mac Kinney Cotton Pickers ... etc.

But America was not the circuit to aspiring young talents in South America. Paris was the capital of the art in the 70's. Then the greatest jazz and new roads had been drawn where the fusion with the modern and the creation of new styles were devoured by audiences hungry for news. Espinoza

flirts with the "modern", but risked punishment from conservatives. No one cares. Still smelling of new sounds and languages \u200b\u200bother passion later se juntará con la filosofía, los ensayos y la historia.

Llegará al saxo alto por la ausencia de uno de sus compañeros, y media hora antes de un concierto deberá cambiar la escala del clarinete al nuevo instrumento del que no se despegarán sus dedos.

Para el mito queda el resultado de una tocata inolvidable donde el debutante en el saxo Espinoza tuvo una presentación notable.

EN PAPEL DE DIARIO

Ya en Barcelona, decidirá ir a París. Esta vez el viaje lo hará solo. La fracción de La Porteña que realizó la gira regresa a Buenos Aires, pero Alfredo parece improvisar en la vida igual que en una jam session.

No le tiene gran cariño a lo material, including his travels sax wrapped in newspaper. He sleeps where he can, where someone offered. Eat what you get. Rule continues its spontaneity and into the bars where it asks for the best jazz bands. Eyes rest on her figure strange, weird. But it was enough to step on stage for all to take another route.

It becomes a benchmark, recording artist and travels to Africa to work. And not only in clubs but making money on perhaps more tourist assemblies, but better paid.

In five years he made his name, he played with the best and created bonds that later bring him out of a deep depression. The road back was strangely very similar to the leg. But something changed.

Some say he lost the hunger. And its artistic essence, that does not allow competition, finished with the balance when he came to Argentina in a relationship with an American writer who gave him his first and only child.

causes are unknown, but the woman decides to leave the United States and never seen. Alfredo leaves Buenos Aires and Santiago is recognized in 1980 for the first time as a dedicated musician.

It costs nothing to recognize his talent. The work done in the Porteña and legend that ran from mouth to mouth of his adventures in Europe had already been cast by the circuits Chilean and flirted with the cult figure.

The Rear Jazz Band will be the commitment shown to his solos and melodies.

And then silence. People do not understand. In the bars, Alfredo spoke of philosophy, Nietzsche, Artaud, and the Phoenicians. I had a blender in the head. They worshiped their presentations on stage looking at him strangely when it was lowered. Until its demise

comparing him to Charlie Parker, and like a bird on stage was monstrous and out of it, misunderstood. We talked about bipolar and schizophrenia, depression, a nebula in history.

At one point he thought he wanted steal your music, or some note. He continued playing without the note that had been stolen ...

His mother was widowed a third marriage and Evans returned to Valparaiso. Two friends (Duccio Castelli, Marcelo de Castro) rights in the film, try to find it. Espinoza does not recognize, but will not put the alto sax in his mouth in 10 years, until ...

's work
Small Small
Diego filmmaker believes that the word is too big for you music lovers. However, it is a connoisseur of jazz and other genres and Evans became interested after a live interview that he heard several years in the Thelonious.

postulated three times until he got back audiovisual resources to develop the project.

"There was always a myth. Some people say that in Paris there are schools where they study their own, and so on. So I thought it necessary to travel and see how those stories were real, "says Little, adding:" It is an informative movie, I did not tell you everything but there is always the temptation of the data. But really wanted to get away from the story and tell it in the sensory. It is the myth of the musician. You can make analogies with others and may have similar stories, and this was a way to tell. Was to make a little record of the overall Chilean musician unknown but a myth created and became a fundamental part of music history of Chile. "

http://www.lanacion.cl/escape-al-silencio/noticias/2009-11-14/182323.html

http://www.canal-u.tv/themes/lettres_arts_langues_et_civilisations/langues_litteratures_et_civilisations_etrangeres/espagnol / civilisation/entretien_avec_alfredo_espinoza_rencontres_2011

Quadriderm Is Used For

Farewell to CESAR PARISI

12/14/1926 to 05/02/2011

pain I have to inform all friends, neighbors, acquaintances, radio listeners, and especially the more than 5000 musicians shared with him a stage, which ceased to exist among us today a great friend, a lover of Jazz, who devoted his life, and enjoyed since childhood. CASEY

PARISI left to find those great both admired. Louis Armstrong and Ella Fitzgerald were waiting and today they say: "At last we have the honor of having" DIFFUSER'S GREATEST JAZZ. "

Creator of "Jazz Club", presented in different scenarios, from 1976 to the greatest jazz musicians to date. Slogans was to "spread the work of the national music", "support the formation of new values" and "part of that task to the entire country."

He carried out much of his cross broadcasting live concerts for over 20 years LRa1 National Radio, which was his home.

For those who remember him will have in your ears and your heart the phrase that identified many years and still can be heard on his home telephone answering machine "HERE'S TO THE JOY OF JAZZ"

Maria de los Angeles

Martin

Pinnacle Tvcenter Pro Will Not Uninstall

Art work done for the Black Sword

http://espadanegra.net/

Varicose Vein Lump On Labia

Church Banquet Program December

Running Shirts Funny Sayings Hair

A movie about BOOKER PITTMAN





Booker Pittman (PR, fanfic, p & b, 15 min, 35mm, 2008)
Synopsis

Londrina, jazz, 1950.

Cast
Edson Montenegro (Booker Pittman)
Cléo De Paris (fond Booker)

Awards
36 º Festival de Cine de Gramado (RS)
Best Film (Critics Award)
Special Jury Prize
Acquisition Award Canal Brazil
Best Art Direction (for José de Aguiar)
Best Song (for Booker Pittman)
19th International Festival of Short Films in São Paulo (SP)
Trophy ABD
ABC Awards (Brazilian Association of Cinematography)
ABC Award for Best Cinematography for Short Film 2009 (for Carlos Ebert)
5 º Festival Cinema Art Salvador (BA)
Melhor Filme (Júri Popular)
2 º Conservatória Film Music Festival (RJ)
Trophy Melhor Curta-Light

www.kinoarte.com Trilha Musical. br

Dojin Hentay De Shotakon

Why not sell records? Whitley Bay Jazz Festival

Why not sell records? Laurent Chemla


Le Monde diplomatique

Translated by Juan Agulló


"The record industry is in crisis because people download songs illegally, the Internet." Ditty as a categorical, crushed years ago by the leaders of the music industry but also, by politicians, deserves to be examined carefully.

Opponents Hadopi Act [the French equivalent of the Law Sinde] to be heard during their investigation, they were forced to make proposals designed to "rescue" of artists who say they are being "pillaged by piracy and P2P ". The problem with such proposals is that they are an indirect way to accept the [premise] more: If you are looking for solutions to compensate the musicians, is that P2P really is hurting them ...

Brain Washing repressors (whatever his intentions) has worked so well that it has been inserted, in the collective imagination, the idea that the digital exchange would necessarily be a loss for artists, which would be replenished in one way or another.

Currently, however, truly independent studies carried out by individuals affected (Industry Canada, UFC-Que Choisir, the Dutch Government, Organization for Economic Cooperation and Development, Adami, etc.) Arrive, all to the same conclusion : the impact of P2P on sales has been minimal if not, even slightly ... positive. In fact, no serious study has established a causal link between P2P and the crisis in the music industry.

Nadie está negando, para empezar, la crisis. Las ventas de CDs pasaron, de 150 millones de unidades en 2002 a 90, en 2006. Sin embargo, colegir a partir de estos datos –como suelen hacer los Gobiernos, el Sindicato Nacional de Edición Fonográfica [el equivalente francés a la SGAE] o la Federación Internacional de la Industria Fonográfica- que el desplome de las ventas es exclusivamente atribuible al intercambio de archivos por Internet constituye, como mínimo, una exageración; sí no, una mentira pura y dura.

De hecho, el mercado del DVD está en plena ebullición. Sus ventas aumentaron un 11% en los tres primeros trimestres de 2009; las de Blu-Ray, un 156% y las de videojuegos –también, piratable easy-to 22% in 2008, the year before that, in itself, was exceptional. The odd thing is that the DVD, in principle, subject to the same risks as the CD: it is digital-and thus, too, is easily pirates-the "supply" pirate is so dynamic that often even ahead of official releases and last but not least, the spread of ADSL enables any movie can be "shared" in less than an hour. According to the director [French] film, Luc Besson, everyday piratearían least half a million films in France. However, they have never sold so many DVDs. What's happening?

To answer to this question seriously, since the issue is complex, our leaders should consider ordering worthy of the name instead of listening exclusively to the artists manipulated by their producers. From here, the most we can do is point to some theories more plausible than the P2P.

To start and foremost, we must refer to evidence: the cultural budget of households can not increase exponentially. In a social context in which the game consoles have become fashionable, the DVDs are selling more and more, the MP3 is the order of the day, assistance to the Boards of film is reaching record levels, are buying more digital photo equipment than ever there are bargains everywhere plans for mobile and live connected to the Internet, it costs money, it is not surprising that the fiscal adjustment of families [in the field of culture and entertainment] is being done at the expense of a music industry simply is not being able to reinvent itself.

In fact, while the movie industry invented fertilizer, multiple rooms, home cinema, the pay per view and the third dimension, the disc fell back on an old CD, taxed more and more unjust and bid [content] degraded and limited ( impossible to buy in iTunes, for example, AC / DC or the Beatles). Okay, the invention of the CD itself a generation forced to renew their club vinyl, but once past that point should it surprise that sales decline when supply is also decreasing?

A report by the Ministry [French] of Culture 2008, which is extremely eloquent in this regard: in 2001, the four major French albums while 2,672 occurred in 2006, 1,245. Contracted supply, therefore, half in just five years. And is there who dares to explain something, solely and exclusively by P2P? Interesting ...

Very interesting, indeed, if one considers that in that same report shows that the proportion of people aged between 11 and 65 who bought at least one CD over the last year, is stable: it remains at 77 % [of people]. As if that were not enough, to concerts, attending more and more people. Apparently, therefore, the French are not allergic to the music of payment. The problem, rather, is to buy fewer CDs than before. What is that?

The average price of each CD in 2004 was 15 euros. Four years later, 14.40. What attracts attention is that the number of people involved in the production of a film usually, generally, much higher than needed to produce a CD. Do you earn any less, actors musicians? Hard to believe.

There is a simple way to prove it is typical that the soundtrack of a film is marketed as a CD and that, although there is also the film on DVD. Because he often tends to be an example, look at the case of Luc Besson (defender of the Law Hadopi). On Amazon, the DVD of his film The Big Blue costs EUR 13.99 and the CD original soundtrack, 6.68, which is a fairly moderate price, especially when compared to what it would take all the songs downloaded that compose the Internet: 9.99 euros!

This is a very eloquent example because the CDs are not usually sold so cheap. The key question in this case, however, is if the composer of the [original soundtrack] Eric Serra is half the price of the DVD "how much the fees amounted producers, directors, actors and technicians who made The Big Blue? Eric Serra, by itself, would have cost as much as all the others put together? Again, hard to believe. In fact the crux of the matter is that while the film industry has been able to adapt and diversify their rates, the record has been anchored in an age where practically had no competition. Should we be surprised, then, that DVD sales are maintained while the CD, drop precipitously?

fact what should be done to "save" the music and musicians? In fact, nothing, because that is another idea with which it is manufactured to finish, basically, because the crisis in the music business (whatever they may be the cause) is not threatening to the richness and musical diversity. Not only the music has always existed and always will be (whether or not a business riding around) but the strength of free music [rights] (as Dogmazic or Jamendo) shows that the problems affecting the industry publisher does not affect at all, creativity.

In fact, separate the crisis in the music industry, music creation. That the producers have decided to put the artists on his own audience does not mean that everyone may fall into this trap: the sole responsibility of the fault of the artists is their complicit silence towards an industry that simply has failed to adapt [to the new times]. In fact, they are as much victims as their own public.
('mannerism Voir', No 109, February-March 2010)

Source: http://www.monde-diplomatique.fr/mav/109/CHEMLA/19340

Sims 3 Seriennummer Generator

Put Chili Lettuce In Doritos Bag

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Are Fuji Decomposers?

2010 JAZZ BAND THE REAR Aida Martinez



Highlights from the Whitley Bay Jazz Festival 2010.
From Chile La Retaguardia Jazz Band .
This is the first time a jazz band from Chile has appeared in the UK, and it's great that La Retaguardia should form the advance-guard in this respect, since their name translates as "the rear-guard": in their choice of the classic jazz of Morton, Ellington, Henderson, Oliver and Armstrong, they represent the very opposite of the "avant-garde" so beloved of Arts Councils the world over. Their stubborn resistance to the forces of modernism began way back in 1958, so this is a rearguard action on the epic scale of Dunkirk, or Napoleon's retreat from Moscow -- and the intensity with which they play is very indicative of Their deeply-held feelings on the subject. The eight-piece band is led by pianist and founder-member Antonio Campusano, based in Santiago They Are, Where They Appear Regularly Both live and on TV, and Have Performed at festivals in Rio de Janeiro, New Orleans and the South of France. Thanks

ccjazzmen

Members: Cristian Alvarez, tuba. Antonio Campbell, piano; Alfredo Espinoza, Saxo, Jorge Leon, banjo; Antonio Gaete, drums; Boris Ortiz, clarinet; Enrique Planas, trumpet Patricio Santibañez, trombone and founding member of the band.


The Home Front: From way back


After the Santiago Jazz Band came down the curtain the workshop that the tuba player Domingo Santa Cruz took the lead with young fans so that it became a group. It was 1958, and Miller headed the clarinetist and pianist Roberto Antonio Campusano, director of the Rear Jazz Band. More experienced and if band where playing, Santa Cruz then became the engine of the group emerging and consolidated as the staunchest defender of the jazz school in New Orleans.

The band was called this way because the music was the "rear chronological", ie the years 1920 and 1930. No further. Http://jazzxmusica.blogspot.com/

Hair Weaves With A Bang

live-

Pavailler Deck Oven For Sale Used

Hair Salons That Do Weavingin Queens

BASSO S JAZZ GROUP




BASSO'S JAZZ GROUP
Juan Carlos Bazan (clarinet)
Hector Basso (bass) Adrian
Segers (banjo)
Fredy Mendez (drums) Recorded

11 - Confectionery 03-2010 at Jockey Club, Martinez Buenos Aires Argentina.

équivalent Du Pilote De Philips Saa 7130 Hl

Jazzología "TRIBUTE TO EDDIE CONDON" - ALL STARS ARGENTINA



Jazzología
"TRIBUTE TO EDDIE CONDON" - ARGENTINA
ALL STARS TUESDAY 26 APRIL 2011



The group formed by bassist Héctor Basso consolidated with local figures, reminiscent of the great guitarist Eddie Condon and director. Members: Fats Fernandez (trumpet), Carlos Acosta (clarinet), Miguel Piccolo (trombone), Angel Sucheras (piano); Fily Savloff (guitar), Héctor Basso (double bass); Néstor Astarita (drums) and Cecilia Escudero (vocal).
Jazzología / / Presentation of soloists and groups in all styles of jazz.
Coordination: Carlos Inzillo. Free admission
/ / Sala Enrique Muiño / / Capacity: 270 spectators.

What To Do With A Bag Of Crushed Up Doritos

hand painted portrait of my grandmother Mary

Letter Of Recommendation Sample For Dds

Arvar, the druid

Ilustración held for "Black Sword"

http://espadanegra.net/

Connection Of Regulator With Fan?

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