Monday, February 28, 2011
Breast Cancer Youth Singlets
Hector Lopez Furst (violin), Julio Rocella (guitar), Ruben Monaco (vibraphone), Diego Bussola (bass) and Guillermo Gallelli (drums).
"TODO EL JAZZ" 1997
Sunday, February 27, 2011
Corningware Nasdaq Symbol
Hector Palacios Aurelio López Fürst: 1997
In recent years, devoted his energy to his group, Four Plus One, a fine quintet that had a special resonance because it met his violin with the vibes of Sergio Monaco and a rhythm section of bass, piano and drums. With them he released his latest album, "Gaijin" (foreigner in Japanese). Héctor López Fürst
was a violinist with various influences, ranging from gypsy swing to bebop. Them managed to build a fresh language that, over the years, became a personal sound dense and mature. Improviser
born, like the jam sessions at which demonstrated a taste for fast passages with specific citations of the most diverse genres.
Fiddler on the latter group had an interesting facet as a composer in which he demonstrated to be creative in jazz classic readings.
emerged in a family where music was central, Hector was the eldest of three brothers. The other two are Baby, the renowned pianist who died in 2000, and Lito, the bassist. 
jazz musician, debuted in the Picking and Timers, where was Baby on the piano. The trio of brothers Brothers subsequently formed the Strings, a group that looked tasteful melody and sweeping. was part of the Swing 39, the Hot Club Four and fusion band Chop Suey. In recent years, devoted his energy to his group, Four Plus One, a fine quintet that had a special resonance because it met his violin with the vibes of Sergio Monaco and a rhythm section of bass, piano and drums. With them he released his latest album, "Gaijin" (foreigner in Japanese). Héctor López Fürst
was a violinist with various influences, ranging from gypsy swing to bebop. Them managed to build a fresh language that, over the years, became a personal sound dense and mature. Improviser
born, like the jam sessions at which demonstrated a taste for fast passages with specific citations of the most diverse genres.
Fiddler on the latter group had an interesting facet as a composer in which he demonstrated to be creative in jazz classic readings.
Wednesday, February 23, 2011
How To Make Homemade Christmas Wreaths
JAZZ BAND THE OLD GUARD :1958-1959
click to enlarge JAZZ BAND THE OLD GUARD: CONCERT IN SODRE AND IN PUNTA DEL ESTE FESTIVAL organized by THE ROCK OF JAZZ
Montevideo
Buenos Aires, the end of 1958
FALERA EDGARDO
With the photo of his collection.
click to enlarge JAZZ BAND THE OLD GUARD: CONCERT IN SODRE AND IN PUNTA DEL ESTE FESTIVAL organized by THE ROCK OF JAZZ 
Montevideo 
Buenos Aires, the end of 1958
FALERA EDGARDO
With the photo of his collection.
Does Orange Juice Make More Phlegm?
To all jazz - Goodbye George ... Farewell to a master - 20/02/1911
Saturday, February 19, 2011
Intercourse With Inside Camera
LULLABY SITE UBALDO
worth visiting is recommended web.Muy 
Ubaldo Gonzalez Lanuza was born in Buenos Aires. He studied clarinet and music theory privately. Then studied harmony with Violet H. de Gainza, and later at the Escuela Superior de Arte del Teatro Colon with the master Juan Travnik. Then extended studies at the School of orchestral and chamber music with teachers Carlos Pessina, Fauré and Mariano Rodríguez Frogioni. In 1954 he founded the "Hot Jazz Society Band" and a year later the "Louisiana Syncopators" participating this year alternating with the "Hot Jammers" by Juan Carlos Rodríguez Jurado. Between 1956 to 1961 he was a member of the "Old Guard Jazz Band who led the late Luis Rodríguez Jurado. In 1961 he founded the Louisiana Ragtime Band. "Four years later he joined the" Porteña Jazz Band "as soloist, arranger and coordinator of the group, which he split in 1972. In 1973 he formed his own quintet" The Jazz Bluepoppers. Was soloist and arranger of the "Delta Jazz Band" (1974) and in August of 1975 with Omar Oliveros, Jorge Enrique Gutierrez Cichero and cran León "Santa Maria Jazz Band" which had an orientation toward blues and stomps. González Lanuza was honored as a soloist on clarinet and sax in the survey who organized "Jazz Magazine" (1955), Medal of Editora Abril (1958), awarded by the editors of the magazine "Panorama" (1967) and the jury Publication "Prensario" from 1974 to 1978. He composed the songs "New call" (recorded by the Delta Jazz Band and Jazz Band Santa Maria), "Johnny told me blues", "Old man jive" and "Jug Blues Spit. Between 1987 and 1996 "Bar O Bar" (Buenos Aires), directs the Jazz cycle, which included prominent musicians of the environment. In 1997, he was invited as a soloist with a quartet of black and white musicians in the "Red Blazer" on Broadway, New York. At the end of 2002 .. .. Ubaldo González Lanuza presents his quartet "Jazz, Rhythm and Blues" by participating in recitals, concerts, Jazzología cycle of Teatro San Martín, which is awarded for his contribution to jazz in last fifty years. By mid-2003 the quartet recorded a CD that is presented at the International Jazz Festival Belho Horizonte (Brazil). The period 2005 / 9 it is a .. .. González Lanuza once again as co-director of the Jazz Band Porteña Spain. The band performs during these 5 years with great success in concerts and festivals, including those of Vitoria Gasteiz, San Sebastian, Terrassa, Barcelona, \u200b\u200bMadrid, Jazz Voyeur de Mallorca, Tarragona, Alicante, Murcia, Huesca, Marciac (France) et al. By 2008 added one more CD to his vast discography: "40 years and still rising" Currently, Ubaldo González Lanuza continues his teaching in our medium and also directing the "Classic Jazz Ensemble" a workshop that aims to provide musicians with training in their instruments median the stylistic knowledge, practice, orchestra and soloist with the bands of the Jazz classic 30's taking his music to audiences of different cultural and educational institutions, libraries, colleges, universities, foundations, etc. CINEMATOGRAPHY
, BONE OF PASSION
Extract from the book "The Creole Jazz and other stuff" of critical journalist and commentator Walter Thiers Editorial Corregidor in April 1999. The subtle humor and a deep conviction where jazz music plays a role leading, form two of the key features that coexist in the personality out of range of the clarinet, tenor sax, vocalist, composer and arranger, Ubaldo González Lanuza. The performer admitted that her passion jazz did not take place at home, whose family was rooted in popular music, but "my parents helped my primary training. My father owned a tearoom located next to the movie theater" Regio " in the district of Chacarita and concurred there all employees of the room being the "darling boy" with a striking resemblance to the boy in the film "Cinema Paradiso" by Giuseppe Tornatore. This facility is encouraged to attend all days of the "Regio" and find out from the screen to important figures "and remember the emotions I felt when I saw Benny Goodman and surprised me with these sounds that could blow that black stick. For me it was magic ..."
http://ubaldogonzalezlanuza.com/bio.html
Zonky
from Ubaldo González Lanuza
worth visiting is recommended web.Muy
Ubaldo Gonzalez Lanuza was born in Buenos Aires. He studied clarinet and music theory privately. Then studied harmony with Violet H. de Gainza, and later at the Escuela Superior de Arte del Teatro Colon with the master Juan Travnik. Then extended studies at the School of orchestral and chamber music with teachers Carlos Pessina, Fauré and Mariano Rodríguez Frogioni. In 1954 he founded the "Hot Jazz Society Band" and a year later the "Louisiana Syncopators" participating this year alternating with the "Hot Jammers" by Juan Carlos Rodríguez Jurado. Between 1956 to 1961 he was a member of the "Old Guard Jazz Band who led the late Luis Rodríguez Jurado. In 1961 he founded the Louisiana Ragtime Band. "Four years later he joined the" Porteña Jazz Band "as soloist, arranger and coordinator of the group, which he split in 1972. In 1973 he formed his own quintet" The Jazz Bluepoppers. Was soloist and arranger of the "Delta Jazz Band" (1974) and in August of 1975 with Omar Oliveros, Jorge Enrique Gutierrez Cichero and cran León "Santa Maria Jazz Band" which had an orientation toward blues and stomps. González Lanuza was honored as a soloist on clarinet and sax in the survey who organized "Jazz Magazine" (1955), Medal of Editora Abril (1958), awarded by the editors of the magazine "Panorama" (1967) and the jury Publication "Prensario" from 1974 to 1978. He composed the songs "New call" (recorded by the Delta Jazz Band and Jazz Band Santa Maria), "Johnny told me blues", "Old man jive" and "Jug Blues Spit. Between 1987 and 1996 "Bar O Bar" (Buenos Aires), directs the Jazz cycle, which included prominent musicians of the environment. In 1997, he was invited as a soloist with a quartet of black and white musicians in the "Red Blazer" on Broadway, New York. At the end of 2002 .. .. Ubaldo González Lanuza presents his quartet "Jazz, Rhythm and Blues" by participating in recitals, concerts, Jazzología cycle of Teatro San Martín, which is awarded for his contribution to jazz in last fifty years. By mid-2003 the quartet recorded a CD that is presented at the International Jazz Festival Belho Horizonte (Brazil). The period 2005 / 9 it is a .. .. González Lanuza once again as co-director of the Jazz Band Porteña Spain. The band performs during these 5 years with great success in concerts and festivals, including those of Vitoria Gasteiz, San Sebastian, Terrassa, Barcelona, \u200b\u200bMadrid, Jazz Voyeur de Mallorca, Tarragona, Alicante, Murcia, Huesca, Marciac (France) et al. By 2008 added one more CD to his vast discography: "40 years and still rising" Currently, Ubaldo González Lanuza continues his teaching in our medium and also directing the "Classic Jazz Ensemble" a workshop that aims to provide musicians with training in their instruments median the stylistic knowledge, practice, orchestra and soloist with the bands of the Jazz classic 30's taking his music to audiences of different cultural and educational institutions, libraries, colleges, universities, foundations, etc. CINEMATOGRAPHY , BONE OF PASSION
Extract from the book "The Creole Jazz and other stuff" of critical journalist and commentator Walter Thiers Editorial Corregidor in April 1999. The subtle humor and a deep conviction where jazz music plays a role leading, form two of the key features that coexist in the personality out of range of the clarinet, tenor sax, vocalist, composer and arranger, Ubaldo González Lanuza. The performer admitted that her passion jazz did not take place at home, whose family was rooted in popular music, but "my parents helped my primary training. My father owned a tearoom located next to the movie theater" Regio " in the district of Chacarita and concurred there all employees of the room being the "darling boy" with a striking resemblance to the boy in the film "Cinema Paradiso" by Giuseppe Tornatore. This facility is encouraged to attend all days of the "Regio" and find out from the screen to important figures "and remember the emotions I felt when I saw Benny Goodman and surprised me with these sounds that could blow that black stick. For me it was magic ..."
http://ubaldogonzalezlanuza.com/bio.html
Zonky
from Ubaldo González Lanuza
Friday, February 18, 2011
Cubefield Game On Primary Games.com
JORGE GONZALEZ LANUZA LAGOS: 1957
Buetto rhythm guitar bass
Tracks
01 after you've Ido
02
Django El Tigre 03'll see you in my dreams
04 Ojos Negros 05
Clouds
07 06 The Chief
Out of Nothing Sweet Georgia Brown
08 09 Some of These Days
10 Avalon
11 Stardust
12 Dulce Susana
August 1957 Buenos Aires
Ferramosca 
Alfonso Jorge Lagos Guitar Clarinet
Abel Jorge Lescano Alfonso Jorge Lagos Guitar Clarinet 
Buetto rhythm guitar bass Tracks
01 after you've Ido
02
Django El Tigre 03'll see you in my dreams
04 Ojos Negros 05
Clouds
07 06 The Chief
Out of Nothing Sweet Georgia Brown
08 09 Some of These Days
10 Avalon
11 Stardust
12 Dulce Susana
August 1957 Buenos Aires
Thursday, February 17, 2011
Tuesday, February 15, 2011
Advantage And Disadvantage Of Air Cooled Engines
Sunday, February 13, 2011
Free Elegant Christmas Wrapping Paper
"BIXOFILOS" in action: THE FIVE DAVENPORT
LILA THE DAVENPORT FIVE 
in CONCERT 13 YEARS OF HOT CLUB DE BUENOS AIRES
From left to der: AlfredoSilvera Lima Oscar Pandolfi banjo-cl, sx high-Luis Pasquet, piano, Hector Gutierrez Roberto Cortinas low-sx tp Cora
Buenos Aires November 11, 1960, Theatre Arena
LILA 
in CONCERT 13 YEARS OF HOT CLUB DE BUENOS AIRES From left to der: AlfredoSilvera Lima Oscar Pandolfi banjo-cl, sx high-Luis Pasquet, piano, Hector Gutierrez Roberto Cortinas low-sx tp Cora
Buenos Aires November 11, 1960, Theatre Arena
Saturday, February 12, 2011
How To Make A Sausage Dog Draughtexcluder
The Cotton Pickers: 1947
, returned to Turkey, compulsory military service does in 1933 is in Uruguay. With the weather changes the banjo electric guitar. Formed his jazz band with a group of black musicians from several countries, including a Cuban safonista Felix Williams who later committed suicide in Buenos Aires. Were
Cotton Pickers and dissolved in 1955. Risetti, "Memorias del jazz argentino" pág.262. Isidore
da Rocha (cl, bars) Booker Pittman (cl, as, vcl) John Ibarra (ts) Hernán Oliva (VLN) Enrique Lynch (p)
Mario Sansone (b) Rudy Lane (d) Lona Warren (vcl )
Buenos Aires.
October 1947
Somebody stole my gal
Thanks to its contribution
YVES
RATIP AHMED AND Cotton Pickers 
DE BUENOS AIRES (arg)
Turkey, 9/24/1905. At age 19 his father sent him to study engineering at Chicago. Starts to play the banjo DE BUENOS AIRES (arg) 
, returned to Turkey, compulsory military service does in 1933 is in Uruguay. With the weather changes the banjo electric guitar. Formed his jazz band with a group of black musicians from several countries, including a Cuban safonista Felix Williams who later committed suicide in Buenos Aires. Were Cotton Pickers and dissolved in 1955. Risetti, "Memorias del jazz argentino" pág.262. Isidore
da Rocha (cl, bars) Booker Pittman (cl, as, vcl) John Ibarra (ts) Hernán Oliva (VLN) Enrique Lynch (p)
Mario Sansone (b) Rudy Lane (d) Lona Warren (vcl )
Buenos Aires.
October 1947
Somebody stole my gal
Thanks to its contribution
YVES
Wednesday, February 9, 2011
Tuesday, February 8, 2011
Monday, February 7, 2011
Message Of Christening
Adios JORGE
Throughout his long career Jorge Lagos has been presented in different configurations with jazz greats as Oscar German guitarist, violinist Chile Hernán Oliva, the pianist Enrique "Mono" Villegas, the pianist, conductor and arranger Lalo Schiffrin , el guitarrista norteamericano Joe Pass, el pianista austríaco Friedrich Gulda y muchos otros. Ha sido también invitado a actuar en festivales internacionales de jazz, habiendo realizado giras en varios países latinoamericanos, Francia y Estados Unidos.
Nos despedimos de Jorge con tristeza, pero nos consuela saber que él se dió el gusto, como pocos, de vivir toda su vida a su manera, tal como deseaba. Su pasión fue siempre el jazz y la guitarra.
Gracias al HOT CLUB DE ROSARIO por nota.
Jorge Lagos (center) in the HOT CLUB ROSARIO, Gregorio-Lopez Tisera (right), Humberto Manini on drums 
communicate with deep sorrow the sad news that he died Saturday, February 5 guitarist Jorge Lagos, whom we had become friends of long standing and a great appreciation for each other.
Jorge Lagos was born in Buenos Aires on August 12, 1918. Was acting within the scope of jazz from an early age with the most outstanding musicians of our environment. He was always big fan of gypsy guitarist Django Reinhardt and his famous "Quintet of the Hot Club of France." Jorge said that in the 1950 time he settled in Paris with French gypsies convivivió. He said there had an opportunity to personally meet Django Reinhardt (1910-1953) before his death and fully empathize style known as "gypsy jazz." On his return to Argentina was the group "Jorge Lagos and his Hot Four" with Alfonso Ferramosca on clarinet, guitar Abel accompanying Lescano, Jorge Boetto on bass and drummer Jorge alternately Cichero and Jorge Padilla. With this training, similar to one that popularized Django Reinhardt, enjoyed great success, recording for the Odeon label LP "WELCOME MR. JAZZ", a widely available album that quickly sold out in stores. communicate with deep sorrow the sad news that he died Saturday, February 5 guitarist Jorge Lagos, whom we had become friends of long standing and a great appreciation for each other. 
Throughout his long career Jorge Lagos has been presented in different configurations with jazz greats as Oscar German guitarist, violinist Chile Hernán Oliva, the pianist Enrique "Mono" Villegas, the pianist, conductor and arranger Lalo Schiffrin , el guitarrista norteamericano Joe Pass, el pianista austríaco Friedrich Gulda y muchos otros. Ha sido también invitado a actuar en festivales internacionales de jazz, habiendo realizado giras en varios países latinoamericanos, Francia y Estados Unidos. Nos despedimos de Jorge con tristeza, pero nos consuela saber que él se dió el gusto, como pocos, de vivir toda su vida a su manera, tal como deseaba. Su pasión fue siempre el jazz y la guitarra.
Gracias al HOT CLUB DE ROSARIO por nota.
Sunday, February 6, 2011
Rules To Card Game Frustration
LAGOS February 12: Federico Britos in
in Montevideo, Federico Brito began studying violin at age 5. At eleven, the famous French-Romanian violinist George Boulanger premiered his Capricho Uruguay, and at fifteen made her first tour of Europe. Travel to Brazil playing with musicians like Dorival Caymmi, Vinicius de Moraes and Luiz Bonfa. He was hired as concertmaster in the orchestra of Opera and Ballet of Cuba, and until 1974 also integrates the National Symphony of the country. In Lima he serves as concertmaster of the Symphony Orchestra. In Venezuela, acting with the Maracaibo Symphony Orchestra, with whom he meets touring the U.S., Canada, Mexico and Italy. In Caracas Municipal Symphony plays with maintaining its activity as a composer. In Montevideo premiere of her own works for violin and orchestra, Suite Grapelliana, Blues Concerto and Ebola and Anacleto, In 1993 he settled in the U.S., being concertmaster of the Miami Symphony for seven years. Orestes Danzon his work with the orchestra premiered in 1994 with the participation of Israel solo López Cachao, Paquito d'Rivera and Brito himself. Currently the orchestra is part of Cachao's Mambo All Stars, created in memory of the famous musician. His latest album, Voyage, appeared recently in the international market. He has performed at Carnegie Hall, Lincoln Center and Kennedy Center. He has won the Grammy for their involvement with Charlie Haden, Cachao, Bebo Valdes and El Cigala, and was also nominated for the same with the disc Bebo Valdés Beautiful Music. In August 2010 he was named Distinguished Citizen of Montevideo.
Alvaro Hagopian began his musical studies at 5 years of age. He studied piano at the Conservatory Falleri-Balzo and orchestral conducting with Maestro. Federico García Vigil at the School of Music (Faculty of Arts at the University of the Republic). He has participated in various courses and workshops nationally and internationally. He has conducted the Philharmonic Orchestra of Montevideo, Punta del Este Symphony Symphony, Asuncion (Paraguay), as well as different Uruguay Youth Symphony Orchestra. He has also performed with the Orquesta Sinfonica del Sodre and the Philharmonic Orchestra of the Teatro Colon in Buenos Aires. He has been pianist and musical arranger of the show Tango Galas Montevideo Philharmonic, having also served as deputy director and pianist of that orchestra on tour in Egypt. Has integrated several tango orchestras of Uruguay, and played with important figures of the genre as Gustavo Nocetti, Raúl Garello, María Graña, Raul Jaurena, Daniel Binelli, Hector Ulises Passarella, Ruben Juarez and Ricardo Olivera, among others. Has participated several times at various festivals of this kind and has spread our music in Austria, Egypt, Brazil, Argentina and Peru. It was the musical arranger of the show to Zitarrosa Adagio of the Philharmonic Orchestra of Montevideo, and has arranged and conducted the Philharmonic musically along with the duo Larbanois-Carrero, and Adele Muyala Malena, among others. Since December 2006 directed Montevideo Philharmonic regularly in popular directories (Galas de Tango, Montevideo for three, the eight stations, etc.). He has musically directed, composed and different sound environments and musical theater, as well as art exhibitions. In 2003, the centenary of the birth of composer Aram Khachaturian, coordinated a chamber music concert in his honor with Uruguay's first auditions for some of his works. Has focused its attention on the contribution of popular music called classical music. It was awarded in 2007 with Morosoli Award, the highest recognition in the cultural activities of Uruguay.
http://www.sodre.gub.uy.asp1-4.websitetestlink.com/Sodre/Sodre/tabid/36/Default.aspx?idNoticia=14392
Federico Brito in the 60 years of Hot Montevideo Jazz Club in Zitarrosa room, camera and editing Gabriel Arrieta.
En el lago del Parque Rodó 
Álvaro Hagopián y Federico Britos con la Ossodre
El próximo sábado 12 de febrero a 21 am, at Lake Park will present the Ossodre rolled under the direction of Maestro. Alvaro Hagopian and solo performance by violinist Federico Brito. The concert is part of a series of actions Symphony Orchestra plans to develop this month at different venues in Montevideo. On the occasion, the program will consist of the following books: Waltz No. 2 from Suite de Jazz (D. Shostakovich), Oblivion (A. Piazzolla), Years of Solitude (A. Piazzolla, arranged by Hagopian), Vivian and Las Vegas Station (F. Britton), Besame Mucho (C. Velazquez), and Blues Concerto (3rd movement) and Danzon Orestes (F. Britton). Born Álvaro Hagopián y Federico Britos con la Ossodre 
in Montevideo, Federico Brito began studying violin at age 5. At eleven, the famous French-Romanian violinist George Boulanger premiered his Capricho Uruguay, and at fifteen made her first tour of Europe. Travel to Brazil playing with musicians like Dorival Caymmi, Vinicius de Moraes and Luiz Bonfa. He was hired as concertmaster in the orchestra of Opera and Ballet of Cuba, and until 1974 also integrates the National Symphony of the country. In Lima he serves as concertmaster of the Symphony Orchestra. In Venezuela, acting with the Maracaibo Symphony Orchestra, with whom he meets touring the U.S., Canada, Mexico and Italy. In Caracas Municipal Symphony plays with maintaining its activity as a composer. In Montevideo premiere of her own works for violin and orchestra, Suite Grapelliana, Blues Concerto and Ebola and Anacleto, In 1993 he settled in the U.S., being concertmaster of the Miami Symphony for seven years. Orestes Danzon his work with the orchestra premiered in 1994 with the participation of Israel solo López Cachao, Paquito d'Rivera and Brito himself. Currently the orchestra is part of Cachao's Mambo All Stars, created in memory of the famous musician. His latest album, Voyage, appeared recently in the international market. He has performed at Carnegie Hall, Lincoln Center and Kennedy Center. He has won the Grammy for their involvement with Charlie Haden, Cachao, Bebo Valdes and El Cigala, and was also nominated for the same with the disc Bebo Valdés Beautiful Music. In August 2010 he was named Distinguished Citizen of Montevideo. Alvaro Hagopian began his musical studies at 5 years of age. He studied piano at the Conservatory Falleri-Balzo and orchestral conducting with Maestro. Federico García Vigil at the School of Music (Faculty of Arts at the University of the Republic). He has participated in various courses and workshops nationally and internationally. He has conducted the Philharmonic Orchestra of Montevideo, Punta del Este Symphony Symphony, Asuncion (Paraguay), as well as different Uruguay Youth Symphony Orchestra. He has also performed with the Orquesta Sinfonica del Sodre and the Philharmonic Orchestra of the Teatro Colon in Buenos Aires. He has been pianist and musical arranger of the show Tango Galas Montevideo Philharmonic, having also served as deputy director and pianist of that orchestra on tour in Egypt. Has integrated several tango orchestras of Uruguay, and played with important figures of the genre as Gustavo Nocetti, Raúl Garello, María Graña, Raul Jaurena, Daniel Binelli, Hector Ulises Passarella, Ruben Juarez and Ricardo Olivera, among others. Has participated several times at various festivals of this kind and has spread our music in Austria, Egypt, Brazil, Argentina and Peru. It was the musical arranger of the show to Zitarrosa Adagio of the Philharmonic Orchestra of Montevideo, and has arranged and conducted the Philharmonic musically along with the duo Larbanois-Carrero, and Adele Muyala Malena, among others. Since December 2006 directed Montevideo Philharmonic regularly in popular directories (Galas de Tango, Montevideo for three, the eight stations, etc.). He has musically directed, composed and different sound environments and musical theater, as well as art exhibitions. In 2003, the centenary of the birth of composer Aram Khachaturian, coordinated a chamber music concert in his honor with Uruguay's first auditions for some of his works. Has focused its attention on the contribution of popular music called classical music. It was awarded in 2007 with Morosoli Award, the highest recognition in the cultural activities of Uruguay.
http://www.sodre.gub.uy.asp1-4.websitetestlink.com/Sodre/Sodre/tabid/36/Default.aspx?idNoticia=14392
Federico Brito in the 60 years of Hot Montevideo Jazz Club in Zitarrosa room, camera and editing Gabriel Arrieta.
Saturday, February 5, 2011
Friday, February 4, 2011
Thursday, February 3, 2011
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